The term ‘female husband’ first appeared in a late seventeenth-century humorous ballad about a hermaphrodite, raised as a woman, who impregnated a woman and then married her. The character of the female husband was popularized a century later in British novelist Henry Fielding’s true-crime pamphlet The Female Husband (1746), which related the picaresque adventures of female-bodied George/Mary Hamilton, who dressed as a man and married several women before his true identity was revealed. Fielding’s work launched a century of humorous writings about female-bodied cross-dressers who married women.
Female husbands were not merely figments of the imagination, dreamed up by satirists and pornographers. The term described a real, if incongruous, variety of gender and sexual expression familiar in North America as well as Great Britain. American newspapers in the late 1700s and early 1800s carried so many stories of female husbands that they became repetitious. In 1829 a Maine newspaper published a humorous anecdote in which a woman who sought a summons against her husband was asked by the judge, 'What, another female husband?’ Actually, she reassured the judge, her husband was just a bigamist. In general, the stories about female husbands, though sensational, did not treat their subjects as villains. The female husband’s escapades were disreputable but impressive. She personified admirable masculine qualities including mastery, courage, and initiative.
Charity [Bryant] shared these personality characteristics with the archetypal female husband, which made her appear appropriate to head the household. William Cullen Bryant wrote that his aunt was 'more enterprising and spirited in her temper’ than her companion, and thus naturally 'represent[ed] the male head of the family.’ [Neighbor] Hiram Hurlburt remembered how the first time that he entered the women’s shop, as a boy, Charity had pointed a finger at him and commanded, 'you will wait.’ She then put Hiram in his place by naming his family lineage, before permitting him to approach the cutting table. Charity’s demonstration of mastery led Hiram to conclude that it was 'perfectly proper’ for her to be 'the man.’ Since her youth, Charity had expressed a superior temperament that led her family to teasingly address her as 'your ladyship.’ After the move to Vermont, her domineering personality enabled her to transition from a lady to a female husband.
—Rachel Hope Cleves,
Charity & Sylvia: A Same-Sex Marriage in Early America
Well. This single passage manages to evoke pretty much the whole spectrum of my varied and incredibly tangled feelings about (a) the understandable but not exactly solidarity-building historical strategy of getting around male supremacy by assuming the overbearing and entitled attitudes typically associated with men, and thereby convincing male gatekeepers that you must be for real because you’re good at making other people feel inferior; and (b) the extent to which historical women expressing (traits generally associated with) masculinity could of course be doing so as an outgrowth of their own embodied/ensouled realities and self-concepts, an incredibly courageous and resourceful act—not to say that a woman going the (a) route wouldn’t also have to be pretty damn courageous and resourceful in her own right, however much her survival strategy also tended to participate in & reinforce the equation of “proper person in charge” with “being the man,” and thereby to throw more (quote-unquote) feminine women under the bus. Or the horse-cart, as the case may be.
(As an aside: these gender roles weren’t just in the eyes of the beholders; Charity and Sylvia were both pretty clear, if euphemistic, about identifying with the roles of husband and wife respectively, and split their worldly versus domestic spheres accordingly. Merchants settled debts with Charity, Sylvia was responsible for all the cooking and housework, Charity rode into town to dine with friends while Sylvia stayed home and did the Spring cleaning, the words they used for one another reflected the difference, etc. Which makes them, in one way, very predictable—this was the standard relationship model for two people in housekeeping together—and in another way interesting vis-à-vis later 20th century developments like butch/femme.)
Anyway! Picaresque adventures of 18th-century female husbands. Interesting stuff!