breathedout: Reading in the bath (reading)
(CW for discussion of multivalent racism)

In the 1820s, the American Colonization Society [which advocated deporting American Blacks to the newly-established US colony Liberia] grew into the preeminent race-relations reform organization in the United States. [Thomas] Jefferson was again endorsing colonization, and calculating segregationists were beginning to see it as a solution to Black resistance. Altruistic assimilationists figured that it was a way to develop Black people in both America and Africa. In 1825, a twenty-eight-year-old Yale alumnus, Ralph Gurley, became the new ACS secretary. He held the position until his death in 1872, while also serving twice as the chaplain of the House of Representatives. Gurley had a vision: he believed that to win the minds and souls of Americans to the colonization cause, it had to be linked to the Protestant movement. His timing was good, because the Second Great Awakening was at hand as he began his ACS post.

The American Bible Society, the American Sunday School Union, and the American Tract Society were all established in this period, and they each used the printing press to besiege the nation with Bibles, tracts, and picture cards that would help to create a strong, unified, Jesus-centered national identity. A good tract "should be entertaining," announced the American Tract Society in 1824. "There must be something to allure the listless to read." Allurement—those pictures of holy figures—had long been considered a sinful trick of Satan and "devilish" Catholics. No more. Protestant organizations started mass-producing, mass-marketing, and mass-distributing images of Jesus, who was always depicted as White. Protestants saw all the aspirations of the new American identity in the White Jesus—a racist idea that proved to be in their cultural self-interest. As pictures of this White Jesus started to appear, Blacks and Whites started to make connections, consciously and unconsciously, between the White God the Father, his White son Jesus, and the power and perfection of White people. "I really believed my old master was almighty God," runaway Henry Brown admitted, "and that his son, my young master, was Jesus Christ."

As the revived Protestant movement ignited the enthusiasm of students, professors, clergymen, merchants, and legislators in New England, the American Colonization Society drew more people into its fold. While southern colonizationists sought to remove free Blacks, northerns sought to remove all Blacks, enslaved and freed. Northern race relations had grown progressively worse since the 1790s, defying uplift suasion. Each uplifting step of Black people stoked animosity, and runaways stoked further animosity. Race riots embroiled New York City, New Haven, Boston, Cincinnati, and Pittsburgh in the 1820s. As racial tensions accumulated, the ACS continued to gain adherents to the cause. Its agents argued forcefully that White prejudice and Black slavery would be eternal, and that freed Blacks must use the talents they had acquired from Whites to go back and redeem unenlightened Africa. By 1832, every northern state legislature had passed resolutions of endorsement for the colonization idea.

Free Blacks remained overwhelmingly against colonization. Their resistance to the concept partly accounted for the identifier "Negro" replacing "African" in common usage in the 1820s. Free Blacks theorized that if they called themselves "African," they would be giving credence to the notion that they should be sent back to Africa. Their own racist ideas were also behind the shift in terminology. They considered Africa and its cultural practices to be backward, having accepted racist notions of the continent. Some light-skinned Blacks preferred "colored," to separate themselves from dark-skinned Negroes or Africans.


—Ibram X. Kendi, Stamped from the Beginning: The Definitive History of Racist Ideas in America (bolding added)

I was more familiar with the mirror-image politics around the popularization of "African American" in the 20th century, but didn't know this anti-colonizationist context for the early 19th century shift to "Negro" as a preferred identifier. Interesting.

Also, gotta love that White Jesus.
breathedout: A woman with an extremely dubious facial expression (extremely dubious)
Well last night [personal profile] greywash and I caught up on our Magicians watch through the end of Season 3, and then this morning at the gym they were playing one of Peter Jackson's epic Hairy Men Go On a Violent Hike Through New Zealand movies in which our all-white heroes do epic battle with an army of dark-skinned baddies on elephants, and now I'm like. Mad about a trope within the fantasy genre?? Since when?? I don't want these feelings; I was happier not caring.

For those who don't watch The Magicians, both it and the books it's based on deliberately riff on the Narnia setup where a bunch of kids from Earth stroll through a portal to a magical land where they quickly become kings and queens over a diverse array of human and non-human beings whom they had never met before, and in whose cultural norms and values they are not steeped (in Lewis, this results in the beginning of "the Golden Age of Narnia"). And like. This was never going to be a politically neutral daydream. But from the pen of a white, aggressively Christian Oxford don in NINETEEN FORTY-NINE, let's all just acknowledge that it's straight-up British Imperialist propaganda (for those who don't want to click those links: Afghani independence 1919; partial Egyptian independence 1922 (full independence would come in 1952); Statute of Westminster 1931 (which removed ability of British Parliament to enact laws in Dominion countries); India/Pakistan independence and partition 1947; Burma (now Myanmar) independence 1948; Ceylon (now Sri Lanka) independence 1948; Ireland severs ties with the Commonwealth 1949—and a WHOLE BUNCH of other independence movements in British colonies were very active, and would continue to bear fruit throughout the 20th century). It's important, I think, to look at the historical moment: this was the dream of a representative of an imperial power whose empire was in the midst of crumbling. It seems almost tautological to suggest, as I'm sure many have done before me, that the pastoral, nostalgic setup, in which It Is Decreed that (earth) humans are meant to rule over everyone else because of some kind of magically-enforced version of the Divine Right of Kingly Succession, and all will not be right in the world until they do, is deeply fucked up in a way I frankly would expect that we'd be challenging a little more explicitly in 2019.

In Season 3 of The Magicians, Cut for spoilers )

I don't know! I feel like it was a missed opportunity, and the show's treatment struck me as sort of sneakily "Well yes there was some unpleasantness but at least the British brought railways, democracy, and political unity to the squabbling natives" when... the actual results of British railways and Imperialist practices were violence and famines, not a "golden age." Maybe the perpetual famine in Fillory is a RESULT of Earth rule. Historically speaking, it is far more likely than not.

It's frustrating, I think, when a media source that really tries for political engagement and genre-savviness, and succeeds on several fronts as The Magicians does, falls down on an opportunity like this; and probably it's unfair to find it more disappointing than when a media source just doesn't try at all (like... Peter Jackson, you did not have to cast that baddie army as Middle Eastern, or every heroic character as white.... it would have been SO EASY NOT TO DO THAT; yet here we are). But it did make me hope that there are people out there creating fantasy narratives that really engage with anti-imperialist politics, and directly challenge this inherited notion of divinely-decreed human and/or foreign rulers over a magical land. I'm certainly not going to write them and tbh I'm probably not even going to read them because, see title: I don't really go here; but I hope they're out there, and I hope they get made into films and TV shows with big budgets and good actors. SURELY they are. Hopefully they will.

Soliciting recs in the comments for people who read more fantasy than I do, but share my frustrations. (Edit: Marlon James's Black Leopard, Red Wolf looks like it might be doing some of this, with bonus queer Black protagonists.)
breathedout: Portrait of breathedout by Leontine Greenberg (bathtime)
I've been so absorbed in writing my little ficlet cycle that I haven't been reading as much! But here's a fascinating couple of excerpts from Anjali Arondekar's For the Record: On Sexuality and the Colonial Archive in India, both concerning the desire, on the part of the British, to simultaneously regulate what they anecdotally considered rampant and unchecked unnatural vice on the part of their Indian subjects, and also conceal from said Indian subjects that, um, well actually British folks indulge in those vices too, since that revelation—unlike everything else the British were doing in India, apparently—might potentially undermine the image of Brits as morally unimpeachable, self-evident rulers.

Lord Thomas Babington Macaulay, for example, in setting out to craft the Indian Penal Code in 1835, was adamant that such a code had to be absolutely clear, both in its definitions and its prescribed punishments, so as to survive translation into many Indian languages. It must be a unifying, equalizing force across all peoples on the subcontinent, readily accessible to, and accepted by, the common man, unlike the hodge-podge of top-down local laws already in existence:

Missing the enormous historical irony of his own words, Macaulay passionately claims that the primary reason for such a deplorable lack of legal models is that "all existing systems of law in India are foreign. All were introduced by conquerors differing in race, manners, language, and religion from the great mass of people."


To solve this problem, Macaulay (a foreign conqueror differing in race, manners, language, and religion from the great mass of people), set out to write clear, translatable laws, which he really spent some quality time thinking through:

Whoever voluntarily has carnal intercourse against the order of nature with any man, woman or animal shall be punished with imprisonment for life, or with imprisonment of either description for a term which may extend to ten years, and shall also be liable to fine.

Explanation: Penetration is sufficient to constitute the carnal intercourse necessary to the offence described in this section.

The offence made punishable under this section requires that penetration, however little, should be proved strictly. Thus an attempt to commit this offence should be an attempt to thrust the male organ into the anus of the passive agent. Some activity on the part of the accused in that particular direction ought to be proved strictly. A mere preparation for the operation should not necessarily be construed as an attempt. Emission is not necessary.


Macaulay's code was then translated into a dozen local Indian languages, because it was supposed to apply to all subjects of the Raj, really everyone this time, one law for seriously all the people... welllll, except for white Englishmen, because I mean, good heavens, what scandalous impression of white Englishmen would that make on the Indians? What would they think of our national character??

"It is unnecessary to point out how desirable it is that our national character should stand high in the estimation of the inhabitants of India, and how much the character would be lowered by the frequent exhibitions of Englishmen of the worst description, placed in the most degrading situations, stigmatised by the courts of justice in India." Macaulay makes the point that Englishmen committing unnatural offences should not be tried in British India, for fear of the consequences of trial on public and civil life.


If they know we're sodomites, in other words, they'll think we're not civilized. Invading their countries, strong-arming their land into monocrops for export, forcing them into penury, using their sons as cannon fodder, etc.: all these things are all bound to make an excellent impression; a penis in a butt, on the other hand, even if it's just the tip, is surely a bridge too far.

A few decades later, the eager Victorian moralizers of the anti-vice societies were up against a similar catch-22 with regard to anti-pornography legislation:

For antipornography laws to be instituted in colonial India, standards of obscenity had to be carried over from Britain to colonial India. The very presence of antipornograhy laws in Britain translated not only into the questionable morality of the supposedly civilizing colonizers but also undermined the rhetorical force of Britain's ability to govern India. Thus there apears a discourse of contradictory lament int he official archives with respect to the question of obscenity and pornography in the Indian context. On the one hand, we read of colonial officials repeatedly complaining about the rampant perversion of Indian culture and speaking of the need to regulate such outpourings in discursive materials. On the other hand, there is equal despair at the thought of brown subjects "viewing postcards of naked white women, or of English-educated Indians reading works like The Lustful Turk or Venus in India."


Life is hard out there for a colonizer.
breathedout: Portrait of breathedout by Leontine Greenberg (bathtime)
I made an off-hand remark in a post the other night about Richard Burton's missing report on the male brothels of Karáchi, and a number of folks got in touch to say how interested they were in hearing more. All excerpts are from Anjali Arondekar's For the Record: On Sexuality and the Colonial Archive in India, which I am only a chapter and a half into but which is so far FASCINATING. I'm not going to try to summarize Arondekar's entire thesis here, since it's very nuanced and I'm not sure I fully grasp it yet myself. I'll just give the basics of her treatment of Burton, Napier, and the colonial politics of the hotly-contested missing report.

So here's a recap of Burton's version of events: )
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