breathedout: Portrait of breathedout by Leontine Greenberg (bathtime)
Conventions of the time
held them together.
It was a period
(very long) in which
the heart once given freely
was required, as a formal gesture,
to forfeit liberty: a consecration
at once moving and hopelessly doomed.

As to ourselves:
fortunately we diverged
from these requirements,
as I reminded myself
when my life shattered.
So that what we had for so long
was, more or less,
voluntary, alive.
And only long afterward
did I begin to think otherwise.

We are all human—
we protect ourselves
as well as we can
even to the point of denying
clarity, the point
of self-deception. As in
the consecration to which I alluded.

And yet, within this deception,
true happiness occurred.
So that I believe I would
repeat these errors exactly.
Nor does it seem to me
crucial to know
whether or not such happiness
is built on illusion:
it has its own reality.
And in either case, it will end.


—Louise Glück, “Earthly Love” (from Vita Nova)

And in either case, it will end.
breathedout: Portrait of breathedout by Leontine Greenberg (bathtime)
Tributaries
feeding into a large river: I had
many lives. In the provisional world,
I stood where the fruit was,
flats of cherries, clementines,
under Hallie’s flowers.

I had many lives. Feeding
into a river, the river
feeding into a great ocean. If the self
becomes invisible has it disappeared?

I thrived. I lived
not completely alone, alone
but not completely, strangers
surging around me.
That’s what the sea is:
we exist in secret.


—Louise Glück, from “Formaggio” (in Vita Nova)

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